Apollo Mark Weaver

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Theater in Sketch: THE BROWNINGS (Orbiter 3)

The art world can be as small as one makes it, and the codependent relationship in THE BROWNINGS begins to shut out the rest of the world.

David Ingram, James Ijames, and Charlotte Northeast in THE BROWNINGS, November 2017. Photo by Plate 3 Photography.

THE BROWNINGS (Orbiter 3): Let me count the f%&*ing ways

In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”

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THE GAP (Azuka): Self-discovery onstage

By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.

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SHITHEADS (Azuka): Nice ride

Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.

Hannah Parke  (Claryssa) and  Nicholas Scheppard (Sebastian). Photo by AustinArt.Org.

MOTH (Azuka): Another teen angst drama

While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.