New Freedom Theatre honors Emanuel Nine in new musical by creating a gospel celebration that honors their lives
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
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THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
Reflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrights Part two of a multi-part interview with one of Philadelphia's oldest and most prolific playwrights. 
THE ENDLESS (dir. Justin Benson & Aaron Moorhead): Philadelphia Film Festival review Among genre fans, Justin Benson and Aaron Moorhead have become synony... 
THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36.2 Romeo Castellucci has poured his personal inspirations and philosophy into this remarkable abstract production, but ultimately viewers must ... 
Myra Bazell, a much-loved teacher of dance, and Jane Gotch first met fifteen years ago when Gotch had to scratch together enough change to take Bazell’s popular modern class. The good-vibe feeling between these two choreographers was evident as Bazell explained to the audience of about thirty on a (thankfully) not-too-hot June evening that the Iron Factory was a positive venue for this reunion. more…
