ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe review
A friend “knows who you are and forgives you for it.”
LIBERTY CITY RADIO THEATRE (Bill Arrowood & Liberty City Radio Theatre): 2017 Fringe review
Old style ‘On’ and ‘Applause’ signs light up. The show starts.
THE RESISTIBLE RISE OF ARTURO UI (DBaD Productions): 2017 Fringe review
The Fringe is an excellent place for companies to mount political protest plays
A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review
It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet.
FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review
This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
THE OXFORD IMPS (Improvisers from Oxford): Edinburgh Fringe 2017
What Fringe Festival? The Edinburgh Festival Fringe.
EDISON (Static Assembly): Edinburgh Fringe 2017
What Fringe Festival? The Edinburgh Festival Fringe.
FREE FRINGE: A round up of stand up at the 2017 Edinburgh Fringe
What Fringe Festival? The Edinburgh Festival Fringe.
BLACKCATFISHMUSKETEER (Malaprop Theatre, Dublin): Edinburgh Fringe 2017
What Fringe Festival? The Edinburgh Festival Fringe.
LOVE GASOLINE! (CalArts Festival Theater): Edinburgh Fringe 2017
What Fringe Festival? The Edinburgh Festival Fringe. Phindie writer Kathryn Osenlund visited Scotland to see some shows from the home of Fringe. This one’s a tough show to either understand…
FAGIN’S TWIST (Avant Garde Dance Company and The Place): Edinburgh Fringe 2017
What Fringe Festival? The Edinburgh Festival Fringe. Phindie writer Kathryn Osenlund visited Scotland to see some shows from the home of Fringe.
LADY MACBETH: UNSEX ME HERE (Company Chordelia and Solar Bear): Edinburgh Fringe 2017
Phindie writer Kathryn Osenlund visited Scotland to see some shows from the home of Fringe.’
CATHY (Ali Taylor): Edinburgh Fringe 2017
Phindie writer Kathryn Osenlund visited Scotland to see some shows from the home of Fringe.
From Philly to Edinburgh: Meeting up with Chris Davis at the Edinburgh Festival Fringe
In his 4th year here at Edinburgh it looks like Chris has become quite a popular fixture.
THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
THE BROKEN HEART (Quintessence): Dark matter
Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.
JESUS CHRIST SUPERSTAR (Bristol Riverside Theatre): In a little river town a great but shopworn rock opera is reborn
I went in to the show a doubting Thomas a came out a believer.
CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
