IN THE BLOOD (Theatre Horizon): Social satire in the service of compassion

The cast (left to right: Akeem Davis, Forrest McClendon, Ashley Everage, Christina May, Cathy Simpson, and Sam Sherburne) of Theatre Horizon’s IN THE BLOOD (Photo credit: Matthew J. Photography)

The cast (left to right: Akeem Davis, Forrest McClendon, Ashley Everage, Christina May, Cathy Simpson, and Sam Sherburne) of Theatre Horizon’s IN THE BLOOD (Photo credit: Matthew J. Photography)

Suzan-Lori Parks’ post-modern urban re-envisioning of Nathaniel Hawthorne’s The Scarlet Letter, IN THE BLOOD addresses the theme of destiny, the tragedy of poverty, and the societal need for compassion in a provocative in-your-face production at Norristown’s Theatre Horizon. Mixing satire with gravity and street talk with poetry, the Pulitzer-Prize-winning playwright follows her new Hester’s struggles against sexual exploitation, illiteracy, unemployment, homelessness, and hunger, as the unwed mother of five is confronted with the disdain of a jaded community and the failures of a broken system. Will the hand of fate release its stranglehold on her, or are the circumstances of her life inherent in her blood, and written in the blood of her children?

Directed by Pirronne Yousefzadeh, the dark sardonic humor of the play is embodied in the outrageous hyperbolized behavior of the haters, users, and abusers (Akeem Davis, Christina May, Forrest McClendon, Sam Sherburne, and Cathy Simpson, each delivering a chilling spotlighted “confession” and unsettling verbal attacks en masse) that Hester (the heart-wrenching Ashley Everage) encounters in her quest for redemption, her determination to keep her family together, and her hopes of getting “a leg up” so that she can offer a better future to her five young “treasures” than their current subsistence under a bridge (the kids are also played by the versatile ensemble, with childlike spirit and relatable familial tenderness and tension).

Christina May, Forrest McClendon, Akeem Davis, Cathy Simpson, and Sam Sherburne portray the haters in Theatre Horizon’s IN THE BLOOD (Photo credit: Matthew J. Photography)

Christina May, Forrest McClendon, Akeem Davis, Cathy Simpson, and Sam Sherburne portray the haters in Theatre Horizon’s IN THE BLOOD (Photo credit: Matthew J. Photography)

Horizon’s design team vividly creates a gritty environment for the protagonists to inhabit, with a realistic set (Brian Dudkiewicz) that fabricates their makeshift vagrant home beneath a concrete and steel overpass, furnished with the detritus they pulled from city streets and dumpsters (props by Amanda Hatch), in torn and filthy rags (costumes by Janus Stefanowicz) that contrast with the professional attire of their antagonists. The darkness of their situation is reflected in Cecilia Durbin’s dramatic lighting, and Larry Fowler’s clear sound design renders every vicious epithet and angry insult hurled at them easy to hear but hard to listen to.

In conjunction with the message of the play, to which the cast, artistic team, and staff are profoundly committed, Theatre Horizon offers a community engagement series on “Imagine No Homelessness in Montgomery County,” including post-show dialogues, a student art exhibition in the lobby, and a toiletries donation drive to benefit local shelters. [401 DeKalb St., Norristown, PA] April 16-May 9, 2015; theatrehorizon.org

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About the author

Debra Miller

Debra holds a PhD in Art History from the University of Delaware and teaches at Rowan University, Glassboro, NJ. She is a judge for the Barrymore Awards for Excellence in Theatre, Philadelphia Arts and Culture Correspondent for Central Voice, and has served as a Commonwealth Speaker for the Pennsylvania Humanities Council and President of the Board of Directors of Da Vinci Art Alliance. Her publications include articles, books, and catalogues on Renaissance, Baroque, American, Pre-Columbian, and Contemporary Art, and feature articles on the Philadelphia theater scene.