Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means.

Chuck Schultz sketches one half of the “Censured” series of South African plays

Annie Wilson has proven to be among the freshest, funniest, and fearless choreographers in Philadelphia. She talks to John Rosenberg.

Based on a play by J.C. Lee (Warplay, Pookie Goes Grenading), this talky drama positively smolders from beginning to end

Grounds that Shout! (and others merely shaking), explores connections between faith, movement, race, and the body, with a focus on the African American religious experience.

I’d still like to know more about pasta

Based on a story first made popular on an episode of This American Life

“If you really look at dance, look at Soul Train. “

Raymond Croce, artistic director of South Camden Theatre Company, decided “he wanted to stage a play that would speak to a younger audience from across the Delaware Valley. One that…

This is Fight Club by way of Napoleon Dynamite

Perhaps the biggest compliment I can give the film is also the one that scares me most: I want to listen to more country.

Academy of Art University has been molding and shaping imaginative minds for 90 years.

PAC’s full production of the 17th century play retains the fun and accessibility of its Venture Reading series performances.

Philadelphia Artist Collective’s’TIS PITY SHE’S A WHORE is running March 28-April 14, 2019 at Philadelphia Boys and Girls Choir 1336 Spring Garden street, and I was there to sketch it….

Lila Coogan transports us from the twilight of the Russian Empire to 1920’s Paris in her role as Anya in the touring production of Anastasia.

The Pennsylvania Ballet does their best to ignore their fantastic orchestra

Unlike a lot of onscreen heroes, Zachary Levi is having fun. So are we.

Henrik Eger interviews the star of Quintessence’s KING LEAR

The Sketchbook Reporter checked out a musical adventure from Dot Matrix.

What’s onstage in Philadelphia theater in April 2019?