Sean Thompson returns to the Walnut Street Theatre in the new production of Legally Blonde: The Musical, an adaption of the hit comedy film.

Theater takes us out of the fictional world we occasionally mistake as real.

MY SON steadfastly refuses to give in to the catharsis of revenge

Broadway veteran Liam Tobin will lead the cast of Book of Mormon as Elder Price when the show returns to Philly this month.

Ballet is a living art.

Since he met ballet at age of 8 when his parents brought him to the Academy of Music to see the Nutcracker by Pennsylvania Ballet, Ian Hussey lived a life…

It exists. I watched it. It was fine.

Tina Gill interviews Keith Illidge about his work and role in Inis Nua’s UNTITLED

Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre

Two brothers must find each other before they can find themselves.

Prior to the 2003 invasion of Iraq, a low-level British Intelligence translator, Katherine Gun, found herself privy to information which indicated high-level corruption. A joint US/UK spying operation was put…

What appears on its surface to be your typical “older people in love” romantic comedy turns out to be much more. Certainly, this is a romantic comedy about senior citizens,…

What’s onstage in Philadelphia theater in May 2019?

Mike Wallace is Here is entertaining and educational, miraculously giving us a thorough portrait free of excessive editorial spin.

An iridescent light shining on a crater with life crawling out of it.

Avengers: Endgame had to stick the landing. It did.

Stay with us; for it is toward evening and the day is spent.

Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means.

Chuck Schultz sketches one half of the “Censured” series of South African plays

Annie Wilson has proven to be among the freshest, funniest, and fearless choreographers in Philadelphia. She talks to John Rosenberg.