2018 is Leonard Bernstein’s centenary, and theaters around the country are programming his greatest works in his honor. Delaware County’s Media Theatre has taken the safe approach of presenting perhaps…

Rebecca Wright brought out the cute and cuddly demeanor of the cast while still driving home a deep dark message

Celia Reisman transforms American suburbs into landscapes of the mind in four stages.

A play for people who need to be told how to feel.

If you like your gay stories trite and tragic, this is the play for you.

It’s been a banner month for local playwright Jacqueline Goldfinger.

The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak,…

“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”

Jarran Muse talks to Phindie about preparing for his role as Marvin Gaye.

Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.

Almanac Dance Circus Theatre ceaselessly invigorates audiences’ minds through their strength and ability to shape space using acrobatic feats and movement.

The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.

A remarkable play navigating the deep waters of philosophy and the shallow waters of adults wearing animal costumes.

A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories

Pianist Inon Barnatan stepped in for an ailing colleague, offering an exquisite and inventive recital that explored musical variations.

It feels like when I’ve rowed out to the middle of a lake alone on a cloudy-still day and suddenly I realize I’m in the middle of the lake.

I feel like I know the value of experimental theater thanks to the folks at Target Margin.

PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.

A meta take on Flaubert’s classic.

Playwright James Ijames offers a searing examination of the commodification of black experience.