LATE NIGHT SNACKS FAMILY SHOW (Bearded Ladies): 2022 Fringe review
Okay: A drag queen show for children.
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A Play at the Intersection of Law and Brutality: CORPUS opens this week
How many bodies make a body of law? Corpus is a play at the intersection of legal interpretation and human experience.
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Fringe in Sketch: BIG ASS BITTIES PRESENTS… (Sarah Knittel)
This will be wild. Expect bits. You will see bits.
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TRAVESTIES (Lantern): A play of ideas married to farce
Tom Stoppard’s newest play Leopoldstadt is coming to New York, and once again he is being talked about as if he were the second coming…
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Fringe in Sketch: LUSTER (Junk)
Lust for exposure and success turns… TRAGIC. Set in an underground shopping mall turned nightclub, Junk’s newest experience, Luster, reveals the twisted nature of reality show…
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Watching THE TWO-CHARACTER PLAY (OUT-CRY) by Tennessee Williams
This play-within-a-play about a play takes place on the Bluver Theatre’s tiny stage, brightly lit, although called dim by the characters. The audience, up close…
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Romeo & Juliet in a Bar (Shakespeare on Tap): 2022 Fringe review
A little bit naughty at times, semi-Shakespearean lingo is mixed with a good deal of TomFoolery.
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See How They Run (dir. Tom George): Film review
Just as the theater company is about to celebrate their 100th stage performance of Agatha Christie’s “The Mousetrap,” a body turns up backstage.
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FOOD (Geoff Sobelle): 2022 Fringe review
Unless you know Geoff Sobelle’s other works, you’ve never seen anything like this.
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TWO-CHARACTER PLAY (IRC): 2022 Fringe review
Nobody writes crazy, despairing, desperate women like Tennessee Williams
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NOT RIGHT NOW (James Christy): 2022 Fringe review
There are many, many moments that become stories.
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DEAR EVAN HANSEN (National Tour at Forrest Theatre): Return to sender
The show’s message is deeply cynical: that social media and community solidarity in the face of tragic events are ultimately self-serving
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A Letter, a Lie, and the Role of a Lifetime: Alaina Anderson in Dear Evan Hansen
Alaina Anderson is loving her time on the national tour of Dear Evan Hansen.
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Vengeance (dir. B.J. Novak): Film review
Vengeance walks a pretty confident tightrope as a crime-focused, West Texas-set black comedy with more substance than a deep-fried Twinkie. It never really comes across as…
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A Recurring Theme: Actor Greg Wood on TO KILL A MOCKINGBIRD
Actor Greg Wood will return to Philly with the national tour of TO KILL A MOCKINGBIRD
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Flux Gourmet (dir. Peter Strickland): Film review
Peter Strickland’s Flux Gourmet is another auteur-flavored oddity all the way. Capturing the senses whether it’s through sound mixing in film production (“Berberian Sound Studio”),…
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Philadelphia Theater Calendar July 2022
What’s onstage in Philadelphia this month?
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In Search of the Kitchen Gods (1812 Productions): A recipe for success
Everyone is welcome in Bi Jean Ngos Vietnamese kitchen
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Acro on Ice: Cirque du Soleil’s Robert Tannion talks about Crystal
Cirque du Soleil is known for pushing creative and physical limits. In the company’s first ice show, Cirque expands those boundaries with both acrobats and skaters.
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Good Luck to You, Leo Grande (dir. Sophie Hyde): Film review
There are plenty of movies about sex, but not enough movies about sexual pleasure involving women of a certain age.
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