Christopher Patrick Mullen as Merlyn and Susan McKey as Archimedes in ARTHUR AND THE TALE OF THE RED DRAGON at People’s Light (Photo caption: Mark Garvin)

ARTHUR AND THE TALE OF THE RED DRAGON: A MUSICAL PANTO (People’s Light): Coming of age in the Middle Ages

The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.

Clare Mahoney and Peter DeLaurier in Lantern Theater Company's QED (Photo credit: Mark Garvin).

QED (Lantern) No doctorate in theoretical physics is required to enjoy this production

But you don’t have to be an egghead to enjoy this play. It’s a great show for non-physicists, a category that includes a whole lot of us.

Peter DeLaurier (with Clare Mahoney in the background) in Lantern Theater Company's QED (Photo credit: Mark Garvin).

QED (Lantern): A glowing tribute to a brilliant man

Peter DeLaurier reprises his role as physicist Richard Feynman in Lantern Theater Company’s remount of its 2006 hit.

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Debra Miller: An interview with Philadelphia’s most prolific theater reviewer

Debra Miller sees a LOT of theater. Indeed, she is the most prolific theater writer in town. Henrik Eger talked to Deb about her background and writing.

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Get to know your favorite Phindie editor

Christopher Munden is the publisher and editor of Phindie. In these pages you’ve probably read what he thinks about local theater and arts. But what’s his deal? Read Henrik Eger’s interview with…

Corinna Burns and Griffin Stanton-Ameisen in THE (CURIOUS CASE OF) WATSON INTELLIGENCE Photo by Mark H. Andrews.

THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Azuka): Do we all need a Watson in our lives

In a time-bending script that requires each of the actors to play multiple roles across the last century or so, “Watson”, played in all his guises by Griffin Stanton-Ameisen, is the force that ties them all together.

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MARY POPPINS (Walnut): Flying between lightness and gravitas

In doing MARY POPPINS, a director has to decide between approaches: light and fantastical like the movie or darker like the book.

Andrea Yorita (and musicians) in Matthew Neenan's "Increasing" Photo by: Bill Hebert

Fall Series (BalletX): Darkness on the edge of ballet

BalletX’s Fall Series features three disparate dances united by evocative lighting schemes and the genre-stretching beauty of movement which characterizes the company.

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Making Dreams Happen: The closing of the Shubin Theatre

The much-loved little Shubin Theatre is closing. Rich Rubin shares his memories and thoughts.

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Political choreographer: Interview with Rami Be’er, artistic director of Israel’s Kibbutz Contemporary Dance Company

No dance company on earth has a history as moving as the Kibbutz Contemporary Dance Company. KCDC’s story begins with Yehudit Arnon, an 18-year-old Jewish dancer who was interned at…

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JUG-BABY: AN AUTOBIOGRAPHY (Transmissions Theatre): A jar of surprises

There is magic and wonder in the world, and not the cheap kind from childhood fairy tales, but the hard earned kind from adults who speak in their own true voices and dare to tell us how we’re all put together.

Ken Opdenaker, Paul Kuhn (center) and Steve Carpenter.in THE MATTER OF FRANK SCHAEFER. Photo by Rebecca Miglionico.

THE MATTER OF FRANK SCHAEFER (Curio): Go and do likewise

Curio personalizes a national news story: THE MATTER OF FRANK SCHAEFER, a Methodist priest defrocked for officiating his son’s same sex wedding.

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Dance-noir edge in Jorma Elo’s BalletX premiere

Finnish choreographer Jorma Elo has been shuttling back and forth to Philly this fall to make ‘Gran Partita’, premierin in BalletXs fall program

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GREEN PORNO (Isabella Rossellini): Sex and celebrity in the service of a serious message

It’s no secret that sex and celebrity sell, so what better use for those ever-reliable marketing commodities than in the service of a serious message? That’s precisely what actress/model/activist Isabella…

Jared Reed as Hamlet and Jennifer Summerfield as Horatio in Hedgerow Theatre's HAMLET. Photo by Kyle Cassidy.

To alter or not to alter, that is the question: Dan Hodge on directing HAMLET in unorthodox ways

Dan Hodge discusses his edited version of HAMLET, onstage through November 23 at Hedgerow Theatre.

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TIL DIVORCE DO US PART: THE MUSICAL (Society Hill Playhouse): The annoying ex you never wanted to see

This 90-minute cabaret featuring of three bitter divorced women and a newspaper pen pal crams heartless bubble gum jingles and cheap laughs into the plot of a confused Lifetime special.

1. IRC, DURANG, Tina Brock, David Stanger, and Andrew Carroll in Desire

A STREETCAR NAMED DURANG (IRC): 60-second review

High-energy hilarity fills L’Étage as the Idiopathic Ridiculopathy Consortium remounts its 2008 Fringe hit, a trio of one-act parodies by Christopher Durang.

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PESTS opens Inis Nua’s reading series tonight

Vivienne Franzmann’s new play, PESTS, is the first offering of Inis Nua Theatre Company’s 2014/15 reading series

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BIG LOVE (Villanova): 60-second review

Based upon a 2,500-year-old classical Greek play, BIG LOVE tells the story of 50 brides who show up at an Italian mansion, fleeing their 50 cousins/potential husbands.

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THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Azuka): Connecting with audience

A thoroughly entertaining, beautifully staged exploration of trust, love, relationships, entanglement, dependency and technology and intimacy.