The goal of the movement should be the erasure of that hostility so that the movement itself is no longer necessary.

What’s onstage in Philadelphia theater in July 2019?

A live recording from Royal Opera House gives American audience a rare chance to see a classic ballet

A review in words and sketch by Chuck Schultz and Yumna Tolaimate

A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein.

The last big Whitman at 200 event was Oscar Visits Walt, a musical play about the meeting of two gay poets, Oscar Wilde and Walt Whitman.

Anne-Marie Mulgrew presented her dance company’s 33rd home season concert at the Performance Garage on June 14 and 15.

ringeArts is calling for participants for a 100-person participatory dance piece that moves through the streets of Philadelphia.

For their June show, the Idiopathic Ridiculopathy Consortium decided to take on a grotesque play by Christopher Durang which Tina Brock directed. Brock herself has the prime comedic role of…

From being bullied to falling in love with Judy Garland. Tyler Houchins takes us down the yellow brick road.

This HOLIDAY INN is very, very impressive for a regional seashore show, in fact it would be impressive anywhere,

Here in America, we pride ourselves on being open-minded, caring, and unwilling to back down in the face of adversity. We are the arbiters of ethical conduct and the punishers…

There was one small signboard at the sidewalk of the Performance Garage. The door was closed with just dimmed lighting through windows. Not so much of announcements or advertisements on…

She pleases, she teases, and she appeases.

Sketches of the musical by Chuck Schultz.

Justin Geiss talks about working as a “swing” performer who can be called on to take the stage at a moment’s notice.

Production flaws aside, Dark Phoenix is just boring.

Data center virtualization is one of the most promising areas for business.

With its new show, Cirque du Soleil pushes the boundaries of performance, redefining the artistic possibilities of ice.

Phindie interviewed director and choreographer Bryan Koulman about the program and his passions for dance and music.