Latest Posts
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Without Peer: The Cherry Street Pier opening is an unqualified success
An anticipated cultural attraction opens along the Delaware River. -
Musical in Sketch: LOVE NEVER DIES (Phantom of the Opera 2)
Sketches of the Phantom of the Opera sequel. -
Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career. -
Mule for Hire: John Rosenberg returns to Philly with some hella fresh theater
Our favorite DIY theatermaker returns to Philadelphia with a new play that probably won't suck -
Matchmaker, Matchmaker: Philadelphia meets Maite Uzal in FIDDLER ON THE ROOF
Interview with the star of the Broadway tour. -
James Ijames Gets Kesselring Prize
Philadelphia playwright wins prestigious award. -
PLUNGE (Brian Sanders JUNK): 2018 Fringe review
PLUNGE is yet another fruit of Brian Sanders’ creative genius -
Dance in Sketch: 10000 GESTURES (Boris Charmatz)
Chuck visits NYC with his sketchbook for the Crossing the Line Festival -
Dance in Sketch: CAEN AMOUR at Fringe Festival and Alliance Francaise
Sketches of Trajal Harrell and CAEN AMOUR. -
FRANKENSTEIN; OR THE MODERN PROMETHEUS (Quintessence Theatre): It’s Alive!!
Quintessence Theatre dynamically brings to life Mary Shelley's classic tale of Frankenstein and his monstrous creation in a f...
Reviews
PLUNGE (Brian Sanders JUNK): 2018 Fringe review
PLUNGE is yet another fruit of Brian Sanders’ creative genius
Features
Without Peer: The Cherry Street Pier opening is an unqualified success
An anticipated cultural attraction opens along the Delaware River.
Without Peer: The Cherry Street Pier opening is an unqualified success
An anticipated cultural attraction opens along the Delaware River.
Musical in Sketch: LOVE NEVER DIES (Phantom of the Opera 2)
Sketches of the Phantom of the Opera sequel.
Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.
Mule for Hire: John Rosenberg returns to Philly with some hella fresh theater
Our favorite DIY theatermaker returns to Philadelphia with a new play that probably won’t suck
Matchmaker, Matchmaker: Philadelphia meets Maite Uzal in FIDDLER ON THE ROOF
Interview with the star of the Broadway tour.
PLUNGE (Brian Sanders JUNK): 2018 Fringe review
PLUNGE is yet another fruit of Brian Sanders’ creative genius
Dance in Sketch: 10000 GESTURES (Boris Charmatz)
Chuck visits NYC with his sketchbook for the Crossing the Line Festival
Dance in Sketch: CAEN AMOUR at Fringe Festival and Alliance Francaise
Sketches of Trajal Harrell and CAEN AMOUR.
FRANKENSTEIN; OR THE MODERN PROMETHEUS (Quintessence Theatre): It’s Alive!!
Quintessence Theatre dynamically brings to life Mary Shelley’s classic tale of Frankenstein and his monstrous creation in a fantastic, eerily staged production
A dilettante at large reviews NE QUITTEZ PAS (Opera Philadelphia)
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
Philadelphia Theater Calendar October 2018
What’s onstage in Philadelphia in October 2018?
GARDENS SPEAK (Tania El Khoury): 2018 Fringe review
GARDENS SPEAK is a metaphysical experience of death and injustice… and a tangible experience of growth and self-expansion.
Fringe in Sketch: TIAN WEN (Hua Hua Zhang’s Visual Expressions)
Tian Wen: Heavenly Questions for Modern Times uses modern dance and the art of puppetry to thematically combine ancient Chinese art forms with new hybrid movements from classical and contemporary dance.
Love Never Dies: Sean Thompson talks about the Phantom of the Opera sequel
What happened after that fateful night at the Paris Opera House? Where are the Phantom, Raoul, and Christina now?
The two most-produced plays in America come to Philadelphia
A Doll’s House Part 2 and Sweat top the 10 most-produced plays of 2018/19
PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review
Like a Joni Mitchell song, PAPRIKA PLAINS is intimate, artful, and affecting.
TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review
Am I dreaming of being a butterfly or is the butterfly dreaming of being me?
