A professional production of a prizewinning student-written play
View More Aiming to Change: In CANDLES, a teenaged playwright tackles gun violenceTag: Yannick Haynes
ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
View More ALL MY SONS (People’s Light): A treat from the golden age of American theaterMACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
View More MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
View More MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]MACBETH (Arden): Fast but not furious [critical mass review #2]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
View More MACBETH (Arden): Fast but not furious [critical mass review #2]MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
View More MACBETH (Arden): Bloody bold and resolute [critical mass review #1]