Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
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THE THREEPENNY OPERA (Villanova): Brecht played louder than the music
Republished by kind permission from Neals Paper. Kurt Weill’s insistent tingel-tangel score for THE THREEPENNY OPERA pervades the Vasey Hall stage, with horns and drum pumping…
View More THE THREEPENNY OPERA (Villanova): Brecht played louder than the music