The emotional battle to for the strength to re-experience the trauma took perseverance.
View More Dance in Sketch: KUN-YANG LIN/ DANCERSTag: Sara Outing
SANCTUARY (KUN-YANG LIN/DANCERS): Sanctuary for those who know pain
A reality that we need to face, think about, and talk about.
View More SANCTUARY (KUN-YANG LIN/DANCERS): Sanctuary for those who know painTwo by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
View More Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)BREATHE SMOKE (Orbiter 3): These are times of change
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.
View More BREATHE SMOKE (Orbiter 3): These are times of changeHOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs
Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.
View More HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbsThe Howl of the Under-Represented: Interview with WOLVES director Michael Osinski
Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a…
View More The Howl of the Under-Represented: Interview with WOLVES director Michael OsinskiBICYCLE FACE (Hannah Van Sciver): SoLow review
Hannah Van Scriver’s SoLow show looks at the changing face of feminism across the centuries
View More BICYCLE FACE (Hannah Van Sciver): SoLow review