Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
View More STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of ChekhovTag: James Sugg
GENTLEMEN VOLUNTEERS (Pig Iron): Psychology, trickery, live foley, everything you want
GENTLEMAN VOLUNTEERS displays charm, psychological interest, and fringe sentiment which planted the roots of Pig Iron’s experimentation.
View More GENTLEMEN VOLUNTEERS (Pig Iron): Psychology, trickery, live foley, everything you want2014/15 Critics’ Awards: The best in Philadelphia theater
Local theater writers vote for their favorites in twelve categories!
View More 2014/15 Critics’ Awards: The best in Philadelphia theaterMACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
View More MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
View More MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]MACBETH (Arden): Fast but not furious [critical mass review #2]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
View More MACBETH (Arden): Fast but not furious [critical mass review #2]MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
View More MACBETH (Arden): Bloody bold and resolute [critical mass review #1]TWELFTH NIGHT, or WHAT YOU WILL (Pig Iron/FringeArts): The 1602 equivalent of a holiday special
TWELFTH NIGHT being the 1602 equivalent of a holiday special, there’s no shortage of booze-riddled merriment in Pig Iron’s revival from the 2011 Fringe Festival.
View More TWELFTH NIGHT, or WHAT YOU WILL (Pig Iron/FringeArts): The 1602 equivalent of a holiday specialTWELFTH NIGHT (Pig Iron): Upends Expectations, Rights Shakespeare’s Play
David Patrick Stearns writes yet another petulant review, this time of Pig Iron’s TWELFTH NIGHT. If he whines enough that he isn’t entertained at theater…
View More TWELFTH NIGHT (Pig Iron): Upends Expectations, Rights Shakespeare’s Play