Although the defense of gay life and the LGBTQ+ community is in a different place now, I imagine for many in the audience, Torch Song still sings.
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Tag: Grace Gonglewski
LAST OF THE RED HOT LOVERS (Walnut): Feeling nostalgic?
Are you missing those bad hairdos and baggy blue suits of 1969?
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THE ROOMMATE (1812 Productions): 60-second review
Where are Oscar and Felix when you really need them?
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A DOLL’S HOUSE, PART 2 (Arden): Imagining another Nora
Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?
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A DOLL’S HOUSE, PART 2 (Arden): After the slam
Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.
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A Door Slams, A Door Opens: Previewing A DOLL’S HOUSE PART 2 at the Arden
Chuck Schultz previews Lucas Hnath’s sequel to Ibsen’s classic.
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HAND TO GOD (PTC): The human comedy with sock puppets
What a funny, nasty, smart show.
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STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
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JULIUS CAESAR (PA Shakespeare): A staging come to steal away your hearts
One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
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HIGH SOCIETY (Walnut): A curious Philadelphia Story
A curiously performed version of Arthur Kopit’s unnecessary rearranging and cheapening of The Philadelphia Story.
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VANYA AND SONIA AND MASHA AND SPIKE (Philadelphia Theatre Company): Absurdist Farce on Russian Angst
The angst-laden work and gloomy characters of Anton Chekhov provide funny fodder and apropos appellations for Christopher Durang’s VANYA AND SONIA AND MASHA AND SPIKE, now in production at the Philadelphia Theatre Company. The Bucks County playwright set his Tony Award-winning comedy where he lives, making for a decidedly quirky yet familiar combination of current local references and recurrent allusions to the Russian classics in a zany family reunion filled with adult sibling rivalry and childish temper tantrums.
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The Arden Hits a High Note with A LITTLE NIGHT MUSIC
Stephen Sondheim’s transcendent musical exposé of love, liaisons, and life in 1900 Sweden.
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Best of Philadelphia Theater, 2011-12
Here are my annual picks for the best of Philadelphia theater: Best Play: August: Osage County (Arden) Honorable mention: The Island (Lantern) Best Actor, Male: Frank…
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1812 Productions Weds Mamet in BOSTON MARRIAGE
I have a soft spot for the drawing room plays by Oscar Wilde, Somerset Maughan, and the like. With ready wit they provide amusing takedowns…
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Best of Philadelphia Theater, 2010-2011
The Barrymore Awards ceremony is tonight, and I’m not there, but that doesn’t mean I don’t have my own opinions about the best actors and…
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