Double, double toil and trouble; Fire burn and cauldron bubble. Cool it with a baboon’s blood, then the charm is firm and good. Macbeth, the…
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Tag: Christopher Patrick Mullen
ASSASSINS (Arden): A celebration of psychopaths
The wall of the F. Otto Haas Stage features pictures of targets and X’s for murdered presidents. Starting with John Wilkes Booth’s killing of Abraham…
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LITTLE RED ROBIN HOOD (People’s Light): What is a panto?
Takeaway: Bring your kids to this unique Philadelphia area tradition!
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HAPGOOD (Lantern): Rising to the challenge of a gleefully complicated spy story
Hapgood is not just a spy story, it’s also a physics story
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THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
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CABARET (Arden): Glücklich zu sehen?
CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
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MOON OVER BUFFALO (People’s Light): A few doors short of a farce
Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?
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Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016
Neal Zoren chose his favorite productions, directors, and actors from the last year.
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LOVE’S LABOUR’S LOST (PA Shakes): 60-second review
Republished by kind permission from Neals Paper. Lightning, alas, did not strike two years in a row when it came to Pennsylvania Shakespeare’s grand experiment…
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JULIUS CAESAR (PA Shakespeare): A staging come to steal away your hearts
One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
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METAMORPHOSES (Arden): A swim with the gods
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.
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AROUND THE WORLD IN 80 DAYS (PA Shakespeare): A comic circumnavigation of Verne’s classic
Director Russell Treyz grants quarter to cogent, cohesive storytelling in his production Mark Brown’s adaptation of AROUND THE WORLD IN 80 DAYS for Pennsylvania Shakespeare Festival.
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MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
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MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
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MACBETH (Arden): Fast but not furious [critical mass review #2]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
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MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
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ARTHUR AND THE TALE OF THE RED DRAGON: A MUSICAL PANTO (People’s Light): Coming of age in the Middle Ages
The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.
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CINDERELLA (People’s Light): The Return of an Award-Winning Panto
In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.
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The Arden Hits a High Note with A LITTLE NIGHT MUSIC
Stephen Sondheim’s transcendent musical exposé of love, liaisons, and life in 1900 Sweden.
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