The 9th of his 35 plays, Shakespeare’s Romeo and Juliet, written in 1595 and printed in 1596, is now on stage at the Arden Theatre Company. Director Amy L. Murphy says it’s “A story about young people inheriting a world shaped by violence they did not create.” She wanted an ugly and violent Romeo and Juliet, and she got it, through sword play, rambunctious rowdy antics, and loud romping around. Tybalt and Mercutio are, of course, brutal.
The Arden’s current production is exceptional on several accounts. It’s bursting with life and fire, going forward with direction and energy, and everything about it is outstanding. Direction is sure-footed and flawless, the staging inspired. The well-cast actors are superb, knocking themselves out to deliver antic, animated, well choreographed performances with timing that’s spot-on. The swordplay is a snarling acrobatic dance. Costuming is unique and colorful, and the lighting is subtle and effective. Sound design delivers emphasis when needed. It’s quite likely that you’ll never see a finer performance of this Shakespearean warhorse.
[Arden Theatre, 40 N. Second Street] March 5–April 5, 2026; ardentheatre.org
The excellent cast: Benjamin Bass, Brian Cowden, Jared Delaney, Charlie Delmarcelle, Tyler S. Elliott, Frank Jimenez, Dave Johnson, Travoye Joyner, Maggie Lakis, Gabe Moses, Patricia Noonan, Francesca Santodomingo, Jameka Monet Wilson