All Things Must Pass: Orbiter 3 members consider their finale
In the end, the plays you produce are greater than the plays you don’t
L. M. Feldman
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PlayPenn, Theater, and “A comfortable place for misfits”: Interview with founder Paul Meshejian, Part 1 It’s unfashionable to suggest there’s such a thing as human nature, but we are “Homo narrans”—Man, the story teller. The theater will always... 
COME TOGETHER FESTIVAL: Dance review, part 1 The collective energy of the deep field of Philly dance and visiting artists created a palpable festival atmosphere. 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. ... 
Our Man in Havana: Gerard Hooper takes Drexel film students to Cuba Interview with a Drexel professor taking 10 students to study with Cuban filmmakers. 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson.
From the archives…
The Cost of Self-Producing in the Fringe
Breaking down the cost of producing in the Fringe. A survey with dance producers. more…
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PIFA 2018 in Sketch: DOGGIE HAMLET
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Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
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Dance in Sketch: STRANGE DREAMS (Anne-Marie Mulgrew & Dancers Co)
