All Things Must Pass: Orbiter 3 members consider their finale
In the end, the plays you produce are greater than the plays you don’t
L. M. Feldman
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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
HAPGOOD (Lantern): Rising to the challenge of a gleefully complicated spy story Hapgood is not just a spy story, it’s also a physics story
From the archives…
The Unemployed Young Actor, a case study
When Megan Farley was still studying theater at Rutgers University in Camden, she thought life as an actor was going to be easy after college. more…
