Summer Stage, one of the largest draws for young theater artists on the East coast: Interview with founding executive and artistic director Harry Dietzler
Return with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.
A world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.
CANDIDE (Philadelphia Orchestra): A dilettante at large review A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein. 
THE SECRETARIES (Quince): An erotic-hilarious farce—not suited for an embarrassed young man? Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don't take life to seriously. 
Theater in Sketch: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Walnut Street) A review in words and sketch by Chuck Schultz and Yumna Tolaimate 
“I was born into Shakespeare, the American Shakespeare”: Alex Burns on directing MACBETH (Arden), part 1 I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia. 
“Passionate iconoclast and maverick”: Interview with Robert Smythe, Ahab in Hedgerow’s MOBY-DICK Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab. Support Phindie operations
What occurs in a theater when sex happens? Ivo Dimchev’s FEST and Florentina Holzinger and Vincent Riebeek’s KEIN APPLAUS FÜR SCHEISSE present two very different looks. more…
