Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have kept the childlike faculties of…
Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.
Three cleverly interconnected survival stories about the complicated nature of life, love, and family.
RICHARD II is a richly rewarding play, full of insightful and startling verse, but you might want to read a synopsis before seeing this production.
New City Stage Company concludes its season-long look at at the American political summit with THE WEST WING FESTIVAL, a series of (FREE!) staged readings at the Adrienne Theater Skybox.