Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia.
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Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Murals, Facades, & Other Lies Everyone knows the murals in Philadelphia suck balls, right? 
real straight up and down motherfucking talented artists i love love love love love love love love love philadelphia. 
A look at the building of the impressive set for the Arden production of METAMORPHOSES. more…
