Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia.
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CAMELOT (Act II Playhouse): 60-second review CAMELOT is the example of a group of talent working together to create an amazing experience for the audience. 
SUNSET BOULEVARD (Media Theatre): Ann Crumb as Norma Desmond, the delusional diva Few singers can do what Ann Crumb can do, namely to transform herself in such versatile ways that people follow her wherever she goes, wheth... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. ... 
JULIUS CAESAR (Quintessence): Why must republics fall? Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic. 
Sibling rivalry, conflicting personalities, and antithetical lifestyles regress to anti-social antics, primal rage, and role reversal in TRUE WEST, Sam Shepard’s dark comedy about two adult brothers, estranged for five years, who resume their dysfunctional relationship while house-sitting in Southern California for their vacationing mother. Theatre Exile exposes the competition, jealousy, lunacy, and savagery of family politics with a cast, direction, and design that alternately amuse and horrify. Brian Osborne as Lee, an unkempt, liquor-guzzling burglar, delivers the sarcasm, aggression, and anger of the dissolute brother who rejects a respectable suburban existence for the wilderness of the western desert and a lone life of petty crime. more…
