Meredith Sonnen

The entire cast of the Second Annual One-Minute Play Festival at the InterAct, 2014. Photo credit: Seth Rozin.

The Second Annual One-Minute Play Festival (InterAct): Tipsy on Theater: Wine-tasting 90 plays and a night-out in Philly without a hangover

You step off the tour bus, the smell of exhaust replaced first with fresh air, then with the sugary smell of grapes. You sit around a bar with a wine…

Bi(?!)lingual by Asaki Kuruma

SOLOW FLASH INTERVIEWS 2014, EPISODE FIVE: Meredith Sonnen, Sam Henderson and Asaki Kuruma

SoLow Fest 2014 sweeps the city this June. Floods of performances. Floods of performers. Get swept up!

To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have Ingrid Bergman in South Philly, theatrical memoir on Vine, and porn at Quig’s.

Image courtesy of Corey Bechelli

SOLOW FLASH INTERVIEWS 2014, EPISODE ONE: COREY BECHELLI, DAVID LAWSON, and ELLIE BROWN

While excitement mounts for SoLow Fest’s wooden anniversary, our artists are all at different stages of production. Some are re-memorizing old scripts, some are putting on the finishing touches on new compositions, and others are still hard at work in the studio.

Needless to say, with over forty individual shows slated to pop up across Philly from June 19-29, it can be hard to decide where you’re going to spend your pocket money.

To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists!

Incubator artist Asaki Kuruma

NOTES from the INCUBATOR (Simpatico): Entry Three: World of BI(?!)LINGUAL

When you hear the word “bilingual” what do you picture in your mind? International, business-y personnel? Or one of those lucky kids who happened to have parents who speak different languages? Or growing up in a different country? Well, I’m don’t fit in any of those scenarios, except being international, sure, but that’s about it. None of my family speaks English. I learned it in school because I had to, and was awful at it. I hated the subject throughout the years of forced education. But then life turns in a strange way, and somehow I ended up in this city with an unpronounceable name for almost a decade now. My every day life is in English. I ask myself over and over again: “What am I doing here?”

Incubator artist R. Eric Thomas.

NOTES from the INCUBATOR (Simpatico): Entry Two: Getting So Frustrated

My mother tells a story about a time when I was young—3-years-old or 4—and I was trying desperately to get the swing I was seated on moving. My little legs kicked and kicked but I stayed motionless. After a minute or two, an adult came over and gave me a push and that’s all it took. I caught the momentum and I was swinging! As she tells it, I turned to the little boy on the swing next to mine and exclaimed in a giddy, high-pitched voice “I was getting so frustrated! Were you getting frustrated, too, Brooksie? I was getting so frustrated!”

Lena Barnard and Meredith Sonnen rehearse Behind Bergman

NOTES from the INCUBATOR (SIMPATICO): Entry One: The Collective Spirit

Writing this play has been hard. It feels like squinting into the distance at an object that I think I should be identifiable but is just too blurry. Luckily, I have a cohort on this trek. If you met Lena (Barnard) and I, it would feel a lot like an episode of Gilmore Girls or the West Wing. We talk over each other and make obscure references and laugh at inside jokes that no one else gets. Being around Lena makes me feel entirely secure. I can be myself with her. I like to think the feeling is mutual. Who else will get all her Julie Andrews references?