The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.
Dance is an ever-changing artform: the standard themes change, technique changes,audiences change. Even such key aspects and tools as the body shape of the dancers change.
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PETER PAN (School of Pennsylvania Ballet): Forever’s children The School of Pennsylvania Ballet presented its 2018 annual performance at the Prince Theater on May 19 and 20. 
Local playwright makes good: An interview with Jacqueline Goldfinger It’s been a banner month for local playwright Jacqueline Goldfinger. 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
SPEED & PRECISION: (PA Ballet): Color and character at the start of a new chapter In his second season as the artistic director of the Pennsylvania Ballet, Angel Corella is hand-picking the entire program for the first tim... 
A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE'S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP). 
Aaron Cromie brings his inimitable brand of wit and insight to this exuberant interpretation of HENRY V. more…
