Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
Theater in Sketch: JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Val Dunn & Jenna Kuerzi) I was looking forward to catching Val Dunn a... 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake 
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... Support Phindie operations
THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia. more…
