Wilma Theater

Un_Sung (Lauren Whitehead, center) surrounded by ghosts in We shall not be moved.(from left, Tendayi Kuumba, Caci Cole Pritchett, Michael Bishop and Duane Lee Holland, Jr.).Photo by Dave DiRentis

After the O17: A reflection on Opera Philadelphia’s brave endeavor

This bountiful menu of music had something for every taste

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Your guide to Opera Philadelphia’s O17 Festival

Here’s everything you need to know about the musical smorgasbord that awaits.

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2017 Barrymore Awards nominations

On August 21, Theatre Philadelphia announced nominees for the 2017 Barrymore Awards for Excellence in Theatre. Established companies led the day.

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Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

Lenta (Aneta Kerova) and the Old Woman (Azetz Papadopoulou). Sketch by Chuck Schultz.

ADAPT! (Wilma): On the brink of dawn

Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

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CONSTELLATIONS (Wilma): Love in the multiverse

“We have all the time we ever had.”

The rain falls at the Wilma. Photo by Matt Saunders.

WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall

Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.

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NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9

“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…

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The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski

Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…

1. PDC Exterior, photo courtesy of Vectorworks

Arts in Sacred Places: Grand opening of the Philadelphia Design Center

A new facility in Philadelphia offers theatrical designers affordable monthly memberships in an accessible co-workspace with state-of-the-arts equipment.

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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience

Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience

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EXCLUSIVE In-depth interview with Sir Tom Stoppard about his life and work

In this exclusive interview, Sir Tom Stoppard shares his thoughts on theater and life.

The 1990s called; they want their facade back.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

Walt Vail conducting the Playwrights Project at Society Hill Playhouse, photo was probably taken by Paul S. Buck, late 1950s

Reflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrights

Part two of a multi-part interview with one of Philadelphia’s oldest and most prolific playwrights.

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Sixty Years of Philadelphia Theater: Interview with playwright Walt Vail

Tracing 60 years of theater history in Philadelphia through the eyes of one man.

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Stoppard in Philadelphia: Video of the playwright’s appearance at the Wilma

Theater webmagazine Howlround provide this video of a conversation with the internationally renowned playwright.

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A Night With Tom Stoppard: The playwright visits the Wilma to talk about his latest play

Tom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.

Marc Bamuthi Joseph at a student meet and greet for Opera Philadelphia’s We Shall Not Be Moved (Photo credit: Philip Todd)

Opera Is Now Open: Opera Philadelphia Unveils its Plans for O17

Opera Philadelphia announces its new cutting-edge direction with a twelve-day urban opera festival that will debut in September 2017.

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ANTIGONE (Wilma): Spectacular, but a spectacular failure

The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.