Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.
“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…
Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…
A new facility in Philadelphia offers theatrical designers affordable monthly memberships in an accessible co-workspace with state-of-the-arts equipment.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
In this exclusive interview, Sir Tom Stoppard shares his thoughts on theater and life.
Reflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrights
Part two of a multi-part interview with one of Philadelphia’s oldest and most prolific playwrights.
Tracing 60 years of theater history in Philadelphia through the eyes of one man.
Theater webmagazine Howlround provide this video of a conversation with the internationally renowned playwright.
Tom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.
Opera Philadelphia announces its new cutting-edge direction with a twelve-day urban opera festival that will debut in September 2017.
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
Local theater writers vote for their favorites in twelve categories!
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.