Wilma Theater

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Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

Lenta (Aneta Kerova) and the Old Woman (Azetz Papadopoulou). Sketch by Chuck Schultz.

ADAPT! (Wilma): On the brink of dawn

Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

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CONSTELLATIONS (Wilma): Love in the multiverse

“We have all the time we ever had.”

The rain falls at the Wilma. Photo by Matt Saunders.

WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall

Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.

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NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9

“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…

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The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski

Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…

1. PDC Exterior, photo courtesy of Vectorworks

Arts in Sacred Places: Grand opening of the Philadelphia Design Center

A new facility in Philadelphia offers theatrical designers affordable monthly memberships in an accessible co-workspace with state-of-the-arts equipment.

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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience

Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience

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EXCLUSIVE In-depth interview with Sir Tom Stoppard about his life and work

In this exclusive interview, Sir Tom Stoppard shares his thoughts on theater and life.

The 1990s called; they want their facade back.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

Walt Vail conducting the Playwrights Project at Society Hill Playhouse, photo was probably taken by Paul S. Buck, late 1950s

Reflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrights

Part two of a multi-part interview with one of Philadelphia’s oldest and most prolific playwrights.

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Sixty Years of Philadelphia Theater: Interview with playwright Walt Vail

Tracing 60 years of theater history in Philadelphia through the eyes of one man.

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Stoppard in Philadelphia: Video of the playwright’s appearance at the Wilma

Theater webmagazine Howlround provide this video of a conversation with the internationally renowned playwright.

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A Night With Tom Stoppard: The playwright visits the Wilma to talk about his latest play

Tom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.

Marc Bamuthi Joseph at a student meet and greet for Opera Philadelphia’s We Shall Not Be Moved (Photo credit: Philip Todd)

Opera Is Now Open: Opera Philadelphia Unveils its Plans for O17

Opera Philadelphia announces its new cutting-edge direction with a twelve-day urban opera festival that will debut in September 2017.

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ANTIGONE (Wilma): Spectacular, but a spectacular failure

The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.

Harry Smith (Photo credit: Xanthe Elbrick)

From the UK to Philadelphia to Broadway: An interview with actor Harry Smith

British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.

WideEyedStudiosDanHodgeRapeofLFinalHigh-30

2014/15 Critics’ Awards: The best in Philadelphia theater

Local theater writers vote for their favorites in twelve categories!

Jered McLenigan, Ed Swidey and Keith Conallen.

ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts

Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.