Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
THE NUTCRACKER (PA Ballet): 50 years of a holiday treat The Nutcracker is not just a lovely holiday tradition. It’s am ambassador for ballet, gaining fans who have never been to seen ballet befor... 
Theater in Sketch: CHARLOTTE’S WEB (Arden) Anaya Strutz puts on an aerial silk performance to create the miraculous spider web that saves Wilbur. 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
COMPLETENESS (Theatre Exile): Algorithms and geek romance Seduction by examples of computational intractability 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. Support Phindie operations
Michael Mastro’s production invigorates David Rush’s play so effectively, you almost don’t notice that each of Rush’s scenes have the same paradigm and general outcome. more…
