This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.
Phindie writer Kathryn Osenlund visited Scotland to see some shows from the home of Fringe.’
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,
HAMLET (REV Theatre Company): “For the apparel oft proclaims the man” Fashion-forward styling updates HAMLET
REV Theatre Company creates a powerful rendition of HAMLET through scenery and clothing
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
Shakespeare made simple, and simply fun.
Bedlam’s imagination and the energy of their acting make their production stand out.
PAC’s current production confirms its reputation as the best adaptor of classic works.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
Toby Zinman gives bullet reviews of nine Shakespeare-ish shows in this year’s Fringe.
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
Rev Shakes’ annual mainstage productions begin the final weekend of the Fringe and showcase a sensibility at home in the festival
The Bard, no longer relegated to elite theatrical institutions, has found his way to a popular University City bar.
Republished by kind permission from Neals Paper. Lightning, alas, did not strike two years in a row when it came to Pennsylvania Shakespeare’s grand experiment of mounting one of the…