Whit MacLaughlin

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HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review

More engrossing, more alienating, and more disciplined than its predecessor.

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A YEAR WITH FROG AND TOAD (Arden Children’s Theatre): Another year with frog and toad

The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.

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The Unprecedented Universe of O MONSTERS First Draft

New Paradise Laboratories’ O Monsters First Draft invites audiences to imagine the world separate from our human understanding of it.

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HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness

A world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.

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Nowhere Woman: Femme fatale Emilie Krause on 901 NOWHERE STREET

Emilie Krause talks about her Fringe play, her work as an actor and devisor, and how she’s probably not a real-ife femme fatale.

Matteo Scammell as the Beast in the Arden’s BEAUTY AND THE BEAST (Photo credit: Mark Garvin)

BEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytale

Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.

New Paradise Laboratories The Adults Fringe

THE ADULTS (New Paradise Laboratories): Fringe Review 20.2

Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.

New Paradise Laboratories The Adults Fringe

THE ADULTS (New Paradise Laboratories): Fringe Review 20

Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.

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Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse

Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.