Werner Heisenberg
COPENHAGEN (Lantern): Observable quantities
I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are
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Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
Wonderetter: Rebecca Robbins on the Walnut’s holiday show Interview with the star of Winter Wondrettes at Walnut Street Theatre. 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
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From the archives…
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement. more…
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Wonderetter: Rebecca Robbins on the Walnut’s holiday show
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Musical in Sketch: CHARLIE AND THE CHOCOLATE FACTORY (touring production)
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COLLECTED STORIES (Act II): Friendship in the real world
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KING KONG (Broadway Theatre): Going ape on Broadway
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“Mentors and protégés exist everywhere”: Interview with playwright Donald Margulies on COLLECTED STORIES
