The chestnut sails in Frank Anzalone’s production of NOISES OFF at the Walnut Street Theatre, but not consistently.

If you’re a fan of TV police procedurals this is the play for you.

If you’re in the mood for a misty-eyed, life-affirming moment, It’s a Wonderful Life is the show for you.

Sondheim’s classic musical in a new production is directed by Frank Ferrante.

The promise of “something for everyone” is both too little and too much.

SATURDAY NIGHT FEVER is a white-washed adaptation of the classic movie, with double the music and none of the soul. Director/choreographer Richard Stafford seems terrified of losing audience attention for…

Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style.

Neal Zoren chose his favorite productions, directors, and actors from the last year.

Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.

A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson

Written by Welshman Dylan Thomas in the 1950s, A CHILD’S CHRISTMAS IN WALES is every nostalgic Christmas trope with song thrown in, and it’s totally delightful.

Female-centric theater group ReVamp Collective presents 12 CHAIRS.

One of the great Broadway musicals, SOUTH PACIFIC is always a pleasure.

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

Throw your preconceived notions about gender aside and ride your own exasperated mule to Quince Productions’ staging of RODEO.

Photographer John Donges was at a recent run-through of RODEO, a fun family friendly play by Chicago writer Philip Dawkins.

An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.

Instead of choosing a pub to enjoy a happy hour, Jasmine Hammond and her students of the Introduction to Acting for the Camera class spend their Friday nights learning about the art of acting in the Walnut Street Theatre in Philadelphia.

Rothko’s and his young assistant’s dialogue on art reflects the way art is in conversation with itself, but it doesn’t manage to capture Mark Rothko as a fascinating and challenging character.

The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.