Vasilija Zivanic

PASSAGE (Wilma): Love and death in Country X

The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.

Theater in Sketch: PASSAGE (Wilma Theater)

PASSAGE reminds sketch artist Chuck Schultz of a painting at the Philadelphia Museum by Sir Lawrence Alma-Tadema.

ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts

Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.

HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance

Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.