Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.
When the members of the Panic Hour talk about 9/11, reptilians, and the Federal Reserve, I don’t think they’re kidding. Imagine if Ron Paul wrote a musical for Glenn Beck…
A remount of Jess Conda’s gloriously glitzy glam-rock musical that enjoyed a smash-hit world premiere at the 2012 Fringe, Brat Productions’ ETERNAL GLAMNATION invaded this year’s Festival for a two-night…
One of the best bonuses of Philadelphia’s Fringe Festival is the nightly after-party at the Festival Bar (this year at Underground Arts), where everyone can relax, mingle, grab a bite,…
n HAMLETMACHINE and MEDEAPLAYS, now in seemless production at the space by The Renegade Company, Müller has reassembled classic texts and plot-points into a dislocating new context.
The story of Euripides’s third place finish in the 431 B.C. Athens Dionysia festival is one to warm the hearts of unsung writers everywhere. The great Greek tragedian finished behind two now-forgotten…
BABEL (Theatre Exile): Uncertifiable
HELLO DOLLY! (touring): 60-second review
Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
THE SLEEPING BEAUTY (Royal Opera House Live Cinema): Authentic classic ballet, onscreen
RACHEL (Quintessence): Screaming from the Past
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