Underground Arts

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Seven dancers. 200 Surveys. 4-inch Leather Boots. SORRY, I’M JUST HUMAN.

Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.

FEDERAL DETENTION: THE MUSICAL (The Panic Hour)

[48] FEDERAL DETENTION: THE MUSICAL (The Panic Hour): Fringe review

When the members of the Panic Hour talk about 9/11, reptilians, and the Federal Reserve, I don’t think they’re kidding. Imagine if Ron Paul wrote a musical for Glenn Beck…

Jess Conda in Eternal Glamnation

[46] ETERNAL GLAMNATION (Brat Productions): Fringe review

A remount of Jess Conda’s gloriously glitzy glam-rock musical that enjoyed a smash-hit world premiere at the 2012 Fringe, Brat Productions’ ETERNAL GLAMNATION invaded this year’s Festival for a two-night…

Erik Ransom. Photo by Debra Miller.

[31] TRAGIC EVENTS (Erik Ransom): Fringe review

One of the best bonuses of Philadelphia’s Fringe Festival is the nightly after-party at the Festival Bar (this year at Underground Arts), where everyone can relax, mingle, grab a bite,…

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HAMLETMACHINE + MEDEAPLAYS = Renegade’s Richly Challenging Work

n HAMLETMACHINE and MEDEAPLAYS, now in seemless production at the space by The Renegade Company, Müller has reassembled classic texts and plot-points into a dislocating new context.

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Two Philadelphia companies take Medea in new directions

The story of Euripides’s third place finish in the 431 B.C. Athens Dionysia festival is one to warm the hearts of unsung writers everywhere. The great Greek tragedian finished behind two now-forgotten…