Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.
When the members of the Panic Hour talk about 9/11, reptilians, and the Federal Reserve, I don’t think they’re kidding. Imagine if Ron Paul wrote a musical for Glenn Beck…
A remount of Jess Conda’s gloriously glitzy glam-rock musical that enjoyed a smash-hit world premiere at the 2012 Fringe, Brat Productions’ ETERNAL GLAMNATION invaded this year’s Festival for a two-night…
One of the best bonuses of Philadelphia’s Fringe Festival is the nightly after-party at the Festival Bar (this year at Underground Arts), where everyone can relax, mingle, grab a bite,…
n HAMLETMACHINE and MEDEAPLAYS, now in seemless production at the space by The Renegade Company, Müller has reassembled classic texts and plot-points into a dislocating new context.
The story of Euripides’s third place finish in the 431 B.C. Athens Dionysia festival is one to warm the hearts of unsung writers everywhere. The great Greek tragedian finished behind two now-forgotten…
Missionary Position: Interview with BOOK OF MORMON star Liam Tobin Broadway veteran Liam Tobin will lead the cast of Book of Mormon as Elder Price when the show returns to Philly this month. 
Letter from Edinburgh: A dilettante at large reviews Toby Zinman reviews shows from the 2019 Edinburgh Fringe 
“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
CONSTELLATIONS (Quantum Theater Group/Wings of Paper): 60-second review This is a fine production and it’s exciting to have a new Northeast Philly theater company. 
“New York-caliber actors”: How NYC-centrism hurts regional theater A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York Support Phindie operations
Interview with the author of MMF. more…
