Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.
In this exclusive interview, Sir Tom Stoppard shares his thoughts on theater and life.
Theater webmagazine Howlround provide this video of a conversation with the internationally renowned playwright.
Tom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.
Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.
Phindie writer Michael Fisher introduces his multi-part critical experiment, using the Lantern’s production of ARCADIA as his guinea pig subject.