REALLY (Theatre Exile): Camera obscura
Discomfort is the name of the game here, but to what purpose?
Discomfort is the name of the game here, but to what purpose?
This is one of those truth-is-stranger-than-fiction moments. BUYER AND CELLAR is about Barbra Streisand’s basement.
Seeing KINKY BOOTS every couple of years turns out to be a semi-good idea
Featuring spoofs of American theater luminaries, IRC’s 2008 hit A STREETCAR NAMED DURANG returns this month for a brief seven-show run.
Following his much-discussed piece on Gimmickry in Theater, Michael F. Fisher considers the role of the critic, and how theater criticism in Philadelphia compares to the best pop culture reviews….