Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
A timely retelling of Margaret Atwood’s classic dystopian novel.
Michael Frayn’s enormously popular 1980s play is a zany farce about doors and sardines, relationships, and mistakes.
Commonwealth’s production draws the curtain on enough of the play’s window into regret to reveal the melancholy brilliance of THE GLASS MENAGERIE.
OEDIPUSSY isn’t something to analyze, it’s just something to enjoy— an antidote to life’s heavy stuff. Appealingly physical and comically overwrought, it’s tons of fun. The most amazing thing about this lunatic version is that the epic tragic story actually emerges through all the clowning, sight gags and laughter.