You can’t have a happy play about apartheid, but the solemn subject matter presents complex ground navigated beautifully with two actors and a sparse stage.
THE SYRINGA TREE, Pamela Glen’s intimate story of the love between two families—one white, one black—in apartheid-era South Africa is usually presented as a one-woman show. Spanning four generations, the story is…
For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.
The Who’s 1969 concept album TOMMY kicks ass. It’s a real rockists rock album, from the golden age of British rock. The 1975 movie and 1993 Broadway adaptation capture the dramatic…
Plot-wise, 39 STEPS stays quite true to the original film (often down to the dialogue), with a few other Hitchcock references thrown in for good measure. The difference? This play is the height of camp.
Dunk the master of mystery in a vat of absurdity and you have Alfred Hitchcock’s THE 39 STEPS, a zany adaptation of the 1935 movie. Norristown’s Theatre Horizon is staging…
Life doesn’t imitate art as much as combine with it as Baker’s play, and Matthew Decker’s production of it for Theatre Horizon, sneaks up on you and moves you.
In Berlin in the wake of German reunification, American John Marks writes to his friend “Doug Wright” (I AM MY OWN WIFE’s playwright) about the eccentric Charlotte. Having “grown up gay in the Bible Belt”, Wright is fascinated by the transgender Berliner and spends grant money and savings to pay her a series of visits, hoping to turn his interviews into a play.
As related in act one of this short two-act piece, Charlotte’s tale fascinates Wright (and the Theatre Horizon audience).