Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
S&M, Sexual Politics, and SMOKE from a Female Perspective: An interview with Theatre Exile’s Deborah Block
Director Deborah Block discusses her approach to the socio-sexual themes in Theatre Exile’s Philadelphia premiere of Kim Davies’ SMOKE.
When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.
Return with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.
A world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.
Useful if you have a time machine. A full listing of events for the 1997 Fringe Festival.
Local theater writers vote for their favorites in twelve categories!
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
The iconic three-act, three-hour marathon of marital warfare eviscerates the myth of the American family, revealing the drama and devastation behind the façade of our societal expectations
Not many plays have this kind of unmistakable resonance. When you encounter such a play, you know it. With works of consequence you can feel the pull of intelligence and transformation moving under the surface.
For THE WHALE, Scott Greer takes an hour putting on his 50 pound costume. The photo essay looks at the elaborate costuming process.
“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.