The promise of “something for everyone” is both too little and too much.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
Philadelphia’s queen of comedy takes on a dark subject with humor and heart.
A well-intentioned but dull play about an important legal program in Philadelphia.
Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
Comedy for people who want to have a little extra to think about after the show
A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
We caught up with Bhob Rainey to learn more about his background and his work on O Monsters First Draft.
Idiopathic Ridiculopathy Consortium returns with its latest dive into the absurd—Eugene Ionescos EXIT THE KING
Toneelgroep Amsterdam mixes a distinctive trademark blend of the classical and the innovative with its adaptation of Ingmar Bergman.
Each January, local critic Neil Zoren announces his favorite production, direction, and male and female actor and male and female supporting actor for the previous calendar year.
RICHARD II is a richly rewarding play, full of insightful and startling verse, but you might want to read a synopsis before seeing this production.