No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
Emily Zeck brings a wealth of experience to her new role as Philadelphia Theatre Company’s managing director.
This bountiful menu of music had something for every taste
The promise of “something for everyone” is both too little and too much.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
Philadelphia’s queen of comedy takes on a dark subject with humor and heart.
A well-intentioned but dull play about an important legal program in Philadelphia.
Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
Comedy for people who want to have a little extra to think about after the show
A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
We caught up with Bhob Rainey to learn more about his background and his work on O Monsters First Draft.