Brian Feldman cleans the dishes and reads a monologue of your choosing. This is existential theater at its finest.
Irish playwright Conor McPherson has been called the “finest dramatist of his generation” (London Telegraph) with works that are “as near to perfection as a play can come” (New York Times). Philadelphia has…
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Art in Sketch: ARTSI at the Sculpture Courtyard Artsi event on First Friday this April was a chance for audiences to see artists through a different lens. 
A Brief History of Early Publishing in Philadelphia Early publishing in Philadelphia has a rich and storied history. William Penn founded Philadelphia in 1682; within three years the nasce... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
An Open Letter to the Struggling Artists Brad Pontius recently addressed an open motivational letter to all theater artists, especially to those struggling to earn a name in their c... 
LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and dista... 
Tongue & Groove’s team is pretty fearless, and though the performance has some slower moments, they’re quick to cut off a bit that isn’t working and move forward. Musician Carol Moog sits off to the side, riffing on a harmonica whenever she decides a scene has ended. more…
