THE GAP (Azuka): Self-discovery onstage
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.
The Gap
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THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
THE BLUEST EYE (Arden): Bringing Toni Morrison to the stage In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison. 
Costume Changes and Metamorphoses: Katherine Fritz on costume design, Kafka, and blogging Interview with award-winning costume designer and star blogger Katherine Fritz on tackling Kafka's METAMORPHOSIS 
BLOODY MILK (dir. Hubert Charuel): Philadelphia Film Festival review Bloody Milk is a sort of genre-less affair which could best be described as “occupational drama
dressed up like a thriller.” 
THE TWO GENTLEMAN OF VERONA (Shakespeare in Clark Park): A nice night in the park The production, though occasionally troubled, can still put a finger on the pulse of Shakespeare at its best.
From the archives…
SUMMER SERIES (BalletX): Summertime satisfaction
The program is packed everything from serious to funny: tap, swing and jazz, all thoroughly infused with and supported by the dancers’ strong foundation in classical ballet. more…
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Theater in Sketch: MARIA MARTEN, or The Murder in the Red Barn (PAC)
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SoLow in Sketch: PEOPLE ARE STRANGE AND OTHER REVELATIONS (Automatic Arts)
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PIFA 2018 in Sketch: DOGGIE HAMLET
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Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
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Dance in Sketch: STRANGE DREAMS (Anne-Marie Mulgrew & Dancers Co)
