An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
This play travels anything but light, but for aficionados—as I am—of talented and doomed Joe Orton or for those fascinated by Brian Epstein (the man who made the Beatles), the…
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An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2 In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO. 
“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
Werewolves, Mimosas, and Late Night Fringe: ON THE ROCKS Uncorks its Latest Show On the Rocks trust the process. 
Dominicana Dreamin’: Erlina Ortiz on Latin American theater and her new play, MORIR SONYANDO Power Street Theatre was founded in 2012 by two Latina Temple alums to showcase the talents of Latin American theater artists. It's biggest ... 
Theater in Sketch: TWELFTH NIGHT (Shakespeare in Clark Park) Chuck Shultz sketches the al fresco production of TWELFTH NIGHT. 
How often have you heard that performing arts are dying, that we’re a niche market, that you can never make a living off of it, that we’re a charity case? That dance and theatre will never be the way it used to? (Pre-television I think this means. more…
