Thaddeus Phillips

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A BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review

How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?

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A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review

It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet.

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THESE TERRIBLE THINGS used a famous image of a child rescued from a concentration camp asked to draw "home".

24 Picks for the 2017 Philadelphia Fringe Festival

What to see at the 2017 Philadelphia Fringe Festival

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Explaining those billion nights: Interview with Thaddeus Phillips

Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…

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ALIAS ELLIS MACKENZIE (Lucidity Suitcase Intercontinental and CINEtica): 2015 Fringe review 50

Eleven skilled performers play crew or actors on the set of a Colombian TV show about 1980s American drug pilot and adventurer Barry Seal.

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The International Philly Fringe: A welcome to 18 countries

Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.

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. . . BARRY SEAL (Thaddeus Phillips/FringeArts): Smile and a wink

Thaddeus Phillips plays Barry Seal, a real-life, infamous drug smuggler-turned-DEA-informant who eventually gained the ire of both smugglers and government agents.

Thaddeus Phillips is Barry Seal.

Thaddeus Phillips Brings the Drug Trade to FringeArts: Interview with the creative mind behind Lucidity Suitcase Intercontinental

The Incredibly Dangerous Astonishing Lucrative and Potentially TRUE Adventures of Barry Seal comes to FringeArts May 14–16, 2015. We interview creator Thaddeus Phillips.

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RED-EYE TO HAVRE DE GRACE (Lucidity Suitcase Intercontinental): New York Theatre Workshop sees a reshaped Philly Fringe hit

I have taken the train up from Philadelphia to the New York Theatre Workshop to see how RED-EYE to HAVRE de GRACE has fared since I last saw it. I had discovered it in the Philadelphia Live Arts workshop production in 2005. Between that iteration and the world premiere at Philadelphia Fringe Festival in 2012, an evolutionary process took place.

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17 BORDER CROSSINGS (Lucidity Suitcase Intercontinental/FringeArts): Voyage of imagination

“Let’s assume you’re traveling,” says Thaddesus Phillips, placing the audience as the sojourner. And he whisks us off. With co-creators Tatiana Mallarino and Patrick Nealy, and director Rebecca Wright, Phillips has concocted something special with 17 BORDER CROSSINGS.

Rendering of the initial design for the FringeArts outdoor plaza (Photo credit: WRT Planning & Design)

FringeArts Progress Report: The latest on the High Pressure Fire Service Building of 1903

Since my initial tour of the new FringeArts headquarters in August 2012, the projected opening (originally set for the Spring of 2013, then for the 2013 Festival in September) has…

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RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2012 Philadelphia Live Arts Festival

An early version of this show lit up the Live Arts Festival in ’05, and I couldn’t wait to see the latest manifestation of the collaboration between Thaddeus Phillips’ Lucidity Suitcase Intercontinental and Wilhelm Bros. music. The production has grown up over the intervening years. It’s bigger, wider, and deeper, and just as amazing and magical.

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RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2005 Philadelphia Live Arts Festival Workshop production

In Lucidity Suitcase Intercontinental’s production, three actors and a pianist tell the story of the last three months of Edgar Allen Poe’s life as he pursues his phantoms and vice versa in Philadelphia, Baltimore, and on midnight trains.