The art world can be as small as one makes it, and the codependent relationship in THE BROWNINGS begins to shut out the rest of the world.
In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
SIZWE BANZI IS DEAD (McCarter): Being a man in apartheid SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history. 
THE WITCH OF EDMONTON (REV Theatre): Put on the Dog! "…there's a dog already biting,—'s conscience." ~ Dog in The Witch of Edmonton
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If dance is a language, it is spoken in a variety of accents. With WHAT I LEARNED ABOUT OUTER SPACE, FringeArts commissioning three contemporary choreographers—Zoe Scofield, Georg Reischl, and Itamar Serussi—to create pieces on PA Ballet dancers. more…
