Another review of IRC’s 2018 Fringe piece.
Tennessee Williams slept with my boyfriend’s father. I love saying that at a party.
ECCENTRICITIES is lush, loquacious and very typical Tennessee Williams: lonely, sex-starved women, men struggling against overbearing mothers, desperation everywhere.
Six decades separate the Broadway debut of Tennessee Williams’ CAT ON A HOT TIN ROOF in 1955 from Colin Kaepernick’s boycott of the National Anthem
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans in summer ensues. An ensemble…
Frank E. Reilly’s latest play, POST HASTE, just finished its world premiere run at the Hedgerow Theatre. Henrik Eger interviewed the playwright about his works.
“The greatness of . . . people lies in how they got from their squalor—real or perceived—and became artists.”
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
Commonwealth’s production draws the curtain on enough of the play’s window into regret to reveal the melancholy brilliance of THE GLASS MENAGERIE.
Two young guys who moved here from Tennessee in 2012 started their own theater company, which they named Blue Suede Productions as a tribute to Elvis. John-Thomas Appling and Chris…