Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”
The performers leave a bright impression in a play that’s a caricature of life and art,
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PETER PAN (School of Pennsylvania Ballet): Forever’s children The School of Pennsylvania Ballet presented its 2018 annual performance at the Prince Theater on May 19 and 20. 
THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36.2 Romeo Castellucci has poured his personal inspirations and philosophy into this remarkable abstract production, but ultimately viewers must ... 
CARMEN (Opera Philadelphia): Color and excitement nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again... 
Azuka Charms with FAILURE: A LOVE STORY In 1900 the city of Chicago reversed the flow of the Chicago River so that it discharged into the Mississippi River instead of Lake Mich... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow Theatre near Media, Pa. This swashbuckling, romantic melodrama from the early 1900s takes audiences through a zany and adventurous world of Ruritania, a house of cards full of political intrigue and dueling heroes. “When Jared [Reed] first talked to me about it, he talked about an adaptation in the vein of The 39 Steps or Bullshot Crummond, which are big stories featuring small casts creating spectacle through theatrical ingenuity, it appealed to me,” Tallman continued, “when I actually read Anthony Hope’s novel, I was struck by the emotional journey undertaken by our hero, Rudolf Rassendyll. more…
