Shakespeare made simple, and simply fun.
Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.
Part Two of Douglas Williams backstage diary as the play he wrote finishes rehearsals and opens to audiences.
Diary of a Playwright: Doug Williams tracks his thoughts as he prepares for his first professional production
Douglas Williams has partnered with Phindie to share the playwright’s perspective as a new play is developed, rehearsed, and produced
Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”
Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames
“You will be broken and put back together again,” as one theatregoer commented on Facebook.
Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.
Is life sweet when you live in the Louisiana Bayou before an unprecedented storm hits? For Marcus (Eric L. Fleming), life at 16 years of age is not only sweet, but…
Picture the scene: You are a child under ten years old; you meet three other children, each quite young, Brendan (Patrick Lamborn) is a mandolin prodigy and an Elvis impersonator. After an…