Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
View More Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)Tag: Taysha Canales
THERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe reviewTHERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
View More THERE (Wilma): 2019 Fringe reviewBLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veinsA MIDSUMMER NIGHT’S DREAM (Arden): Take pains, be perfect
Shakespeare made simple, and simply fun.
View More A MIDSUMMER NIGHT’S DREAM (Arden): Take pains, be perfectWHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall
Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.
View More WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fallAN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
View More AN OCTOROON (Wilma): A melodrama, a social commentary, an experienceTHE HARD PROBLEM (Wilma): Stoppard makes intelligible intelligence look easy
Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.
View More THE HARD PROBLEM (Wilma): Stoppard makes intelligible intelligence look easyWhat Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
View More What Can The Wilma Do With $10 Million?ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
View More ALL MY SONS (People’s Light): A treat from the golden age of American theaterTHE JUNGLE BOOK (Arden): Merging morals with make-believe
Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.
View More THE JUNGLE BOOK (Arden): Merging morals with make-believeDiary of a Playwright, part 2: Doug Williams sees MOON CAVE take the stage
Part Two of Douglas Williams backstage diary as the play he wrote finishes rehearsals and opens to audiences.
View More Diary of a Playwright, part 2: Doug Williams sees MOON CAVE take the stageMOON CAVE (Azuka Theatre): Eclipse of the mind
Playwright Douglas Williams gives us a view into the life and psyche of a young man haunted by horrific events from his past.
View More MOON CAVE (Azuka Theatre): Eclipse of the mindDiary of a Playwright: Doug Williams tracks his thoughts as he prepares for his first professional production
Douglas Williams has partnered with Phindie to share the playwright’s perspective as a new play is developed, rehearsed, and produced
View More Diary of a Playwright: Doug Williams tracks his thoughts as he prepares for his first professional productionFinding art in taking risks: Doug Williams
“I have hated this play sometimes,” says Doug Williams. Strong words, when you’re talking about something you’ve written yourself.
View More Finding art in taking risks: Doug WilliamsClassic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)
Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”
View More Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames
“You will be broken and put back together again,” as one theatregoer commented on Facebook.
Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.
View More Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James IjamesMARCUS; OR THE SECRET OF SWEET (Plays & Players): 60-second review
Is life sweet when you live in the Louisiana Bayou before an unprecedented storm hits? For Marcus (Eric L. Fleming), life at 16 years of age…
View More MARCUS; OR THE SECRET OF SWEET (Plays & Players): 60-second review[65] A MYSTERY? (Dragon’s Eye Theatre): Fringe review
Picture the scene: You are a child under ten years old; you meet three other children, each quite young, Brendan (Patrick Lamborn) is a mandolin prodigy…
View More [65] A MYSTERY? (Dragon’s Eye Theatre): Fringe review