What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?
DEATH OF A SALESMAN is often seen as a cultural comment on the American Dream, in EgoPo’s production it is a moving look at a man, his son, and their personal tragedies.
Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames
“You will be broken and put back together again,” as one theatregoer commented on Facebook.
Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.
Colonialism is Pygmalian writ large: one culture trying to civilize another. In Danai Gurira’s melodramatic THE CONVERT, a priggish preacher (Irungu Mutu) in 1895 Rhodesia (present-day Zimbabwe) seeks to educate and…
Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in front of a gigantic American…