Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
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Tag: Steven Rishard
A DOLL’S HOUSE, PART 2 (Arden): Imagining another Nora
Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?
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A DOLL’S HOUSE, PART 2 (Arden): After the slam
Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.
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A Door Slams, A Door Opens: Previewing A DOLL’S HOUSE PART 2 at the Arden
Chuck Schultz previews Lucas Hnath’s sequel to Ibsen’s classic.
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ADAPT! (Wilma): On the brink of dawn
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!
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WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall
Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.
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THE HARD PROBLEM (Wilma): Stoppard makes intelligible intelligence look easy
Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.
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What Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
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ANTIGONE (Wilma): Spectacular, but a spectacular failure
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
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HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.
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DETROIT (PTC): Where the American Dream goes to die
Cities and thrones and powers/ Stand in time’s eye,/ Almost as long as flowers,/ Which daily die
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