Steven Rishard

Lenta (Aneta Kerova) and the Old Woman (Azetz Papadopoulou). Sketch by Chuck Schultz.

ADAPT! (Wilma): On the brink of dawn

Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!

The rain falls at the Wilma. Photo by Matt Saunders.

WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall

Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.

sarah-gilko-hard-problem

THE HARD PROBLEM (Wilma): Stoppard makes intelligible intelligence look easy

Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.

The 1990s called; they want their facade back.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

antigone-wilma

ANTIGONE (Wilma): Spectacular, but a spectacular failure

The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.

Jered McLenigan, Ed Swidey and Keith Conallen.

ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts

Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.

Ross Beschler and Zainab Jah in HAMLET. Photo by Alexander Iziliaev.

HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance

Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.

Photo by Mark Garvin.

DETROIT (PTC): Where the American Dream goes to die

Cities and thrones and powers/ Stand in time’s eye,/ Almost as long as flowers,/ Which daily die