Opera Philadelphia’s new co-production of Mozart’s MARRIAGE OF FIGARO is fast, lively and a wonderful way to be introduced to opera.
A uniformly wonderful cast provide bright, sunshiny fun in this lively, fast-moving, exuberant staging of Gaetano Donizetti’s romantic comedy.
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Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Murals, Facades, & Other Lies Everyone knows the murals in Philadelphia suck balls, right? 
real straight up and down motherfucking talented artists i love love love love love love love love love philadelphia. 
// Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans in summer ensues. An ensemble of ‘neighborhood locals’ mill around, socializing, drinking, and dancing to live jazz piano while the southern hospitality pours forth with high spirits from bottles of bourbon. Seating is incorporated so that the rooms of the Kowalski’s second story flat are intriguingly visible; the bedroom, cordoned off with sheer curtains, hung upon clothesline and slightly drawn, wafting on the slightest breeze. more…
