Simpatico Theatre Project

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Theater in Sketch: HIR (Simpatico)

Simpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity

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HIR (Simpatico): We are all everything

Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling. These elements often work to…

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Barrymore Awards Nominations

Industry insiders vote on their favorite shows and artists in their community from the preceding theater season. The resulting awards recognize the best that Philly stages have to offer, and also musicals.

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[podcast] “Siding with Time” – R.Eric Thomas

Today’s podcast welcomes back R.Eric Thomas to talk about the upcoming production of “Time Is On Our Side” which, he created with Simpatico Theatre Project.

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TIME IS ON OUR SIDE (Simpatico): Philadelphia’s living history of gay pride and social progress

A world-premiere commission filled with humor and heart considers the history and progress of gay rights in Philadelphia through the lens of a local podcast and the discovery of a revealing artifact.

Anthony Crosby and Amanda Schoonover in Simpatico’s THE IT GIRL (Photo credit: Kate Raines/Plate 3 Photography)

THE IT GIRL (Simpatico): Sounds of silence that still resonate

A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.

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K.O. DelMarcelle: Maintaining versatility with an eye on the future

Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.

Jacob Merinar as storytelling rabbit Dandelion. Photo by Kathryn Raines & Plate | 3 Photography.

WATERSHIP DOWN (Simpatico/ Drexel MPiRP): A hop along a classic of children’s literature

Director Allen Radway coordinates an intricate but unpretentious array of parts into a coherent and appealing whole.

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Many Goodly Creatures: Allen Radway talks THE TEMPEST, Simpatico, and fatherhood

Even a brief encounter with Allen Radway reveals the intelligence, sympathy, and generosity of spirit evident in his theatrical work. We talk to him ahead of his newest, CCTCs THE TEMPEST.

(l-r) Melanie Lawrence, Nastassja Baset, and Danielle Leneé in impatico Theatre Project's MILK LIKE SUGAR. Photo credit: Kathryn Raines.

MILK LIKE SUGAR (Simpatico): Dreams and reality

Everyone wants to feel special. This longing to be acknowledged is at the core of Kirsten Greenidge’s MILK LIKE SUGAR.

Adrienne Truscott stars in Simpatico Theatre Project's ASKING FOR IT, Photo by Sara Brown.

ASKING FOR IT (Simpatico): You asked for it, you got it

Want to hear rape jokes, see nudity, and get doused with reality at a “comedy” show? You asked for it.

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The winners of the 2014 Barrymore Awards…

From about 100 entries, winners in twenty-two categories were selected by a panel of twelve judges and announced at the Barrymore Awards ceremony tonight. InterAct Theatre’s Down Past Passyunk won top…

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2013/14 Critics’ Awards: The best in Philadelphia theater

For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.

Photo by Luis Fernando Rodriguez

MISSED CONNECTIONS & OTHER CURIOSITIES (Simpatico): A Craigslist cabaret

There’s a wonderful movement these days in the Philadelphia theater world to give voice to our younger generation. Dwindling arts funding, as well as the Fringe’s ineffectiveness as a vehicle…

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Beautiful woman in row g [29] (Philadelphia): Simpatico presents craigslist themed MISSED CONNECTIONS AND OTHER CURIOSITIES

You can tell a lot about a city by looking through its craigslist pages. Jobs, apartments, M4W, rants: it’s all there. An exploration of wants and needs, longing and loneliness,…

Incubator artist Asaki Kuruma

NOTES from the INCUBATOR (Simpatico): Entry Three: World of BI(?!)LINGUAL

When you hear the word “bilingual” what do you picture in your mind? International, business-y personnel? Or one of those lucky kids who happened to have parents who speak different languages? Or growing up in a different country? Well, I’m don’t fit in any of those scenarios, except being international, sure, but that’s about it. None of my family speaks English. I learned it in school because I had to, and was awful at it. I hated the subject throughout the years of forced education. But then life turns in a strange way, and somehow I ended up in this city with an unpronounceable name for almost a decade now. My every day life is in English. I ask myself over and over again: “What am I doing here?”

Ahren Potratz and Allen Radway in Simpatico Theatre Project's production of IN A DARK DARK HOUSE by Neil LaBute. Photo credit: by Daniel Kontz.

IN A DARK DARK HOUSE (Simpatico Theatre Project): Oh! Neil LaBute is not just a sadistic prig!

At the opening night performance of LaBute’s IN A DARK DARK HOUSE I had what alcoholics refer to as a moment of clarity: Suddenly an entire oeuvre littered with cruel antihero bastards made sense.

Brooke Fitzgerald, Katherine Perry and Cindy Spitko in Ed Swidey's mEEp.

The Return of the mEEps (White Pines)

Ed Swidey’s mEEps return for a one-night only show at White Pines place in Elkins Park, May 9, 2014.

Directors Gallery Salon 1: Designing the Future

Directing the Future: An Interview with DG Founder Jill Harrison

Since moving to Philadelphia in 2009 (from New York, where she began her career), and joining the Philadelphia theater community as a freelance director, producer, and educator in the fall…

Incubator artist R. Eric Thomas.

NOTES from the INCUBATOR (Simpatico): Entry Two: Getting So Frustrated

My mother tells a story about a time when I was young—3-years-old or 4—and I was trying desperately to get the swing I was seated on moving. My little legs kicked and kicked but I stayed motionless. After a minute or two, an adult came over and gave me a push and that’s all it took. I caught the momentum and I was swinging! As she tells it, I turned to the little boy on the swing next to mine and exclaimed in a giddy, high-pitched voice “I was getting so frustrated! Were you getting frustrated, too, Brooksie? I was getting so frustrated!”