Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.
Shamus Hunter McCarty
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
Interview with the author of MMF.
“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.
THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia.
THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
Based on the dark and disturbing folktales of the Brothers Grimm, James Stover’s original world-premiere adaptation for the Renegade Company, GRIMMS’ JUNIPER TREE, examines the role that didactic children’s literature…
Luna Theater Company’s interpretation of Anthony Burgess’s 1962 novel is a unique marriage of the British author’s futuristic stylizations with disturbing a cappella songs with the historic conventions of masking and stock movement inspired by Italian commedia dell’arte. It’s a perfect match to tell the cutting-edge morality tale of teen ultra-violence and reform.