Shamus Hunter McCarty

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Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

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MMF (Quince): A modern kind of love triangle

Dean loves Michael. Michael loves Jane. Jane loves Dean. Dean loves Jane. Jane loves Michael. Got it?

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Taming the Brew: ShakesBEER brings the Bard to a brewery with a drinky MIDSUMMER NIGHT’S DREAM

“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.

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THE SUBMISSION (Quince): Things we dare not even think about

THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia.

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THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): Fringe Review 35

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

Photo credit: Meghann Hickson

Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer

The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.

Dana Kreitz (Photo credit: Daniel Kontz).

GRIMMS’ JUNIPER TREE (Renegade): Important Lessons to Be Learned

Based on the dark and disturbing folktales of the Brothers Grimm, James Stover’s original world-premiere adaptation for the Renegade Company, GRIMMS’ JUNIPER TREE, examines the role that didactic children’s literature…

The “Droogs” at the Milkbar (l to r: Katie Gould, Shamus Hunter McCarty, Kevin Rodden, and Alan Holmes as Alex) in Luna Theater Company’s A CLOCKWORK ORANGE (Photo credit: Aaron J. Oster)

A CLOCKWORK ORANGE (Luna): Commedia dell’arte meets post-modern morality play

Luna Theater Company’s interpretation of Anthony Burgess’s 1962 novel is a unique marriage of the British author’s futuristic stylizations with disturbing a cappella songs with the historic conventions of masking and stock movement inspired by Italian commedia dell’arte. It’s a perfect match to tell the cutting-edge morality tale of teen ultra-violence and reform.