Recreates the breezy cynicism of a 1920s speakeasy

CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.

Are you staring at your September schedule completely overwhelmed? Have no fear! I have scoured the Fringe App so you don’t have to. But since I’ve saved you this step…

Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.

The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”

COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.

EgoPo Classic Theatre focuses its 2017/18 series on the work of John Guare with the world premiere of Guare’s Lydie Breeze Trilogy as one fluid theatrical experience.

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

Dean loves Michael. Michael loves Jane. Jane loves Dean. Dean loves Jane. Jane loves Michael. Got it?

Interview with the author of MMF.

“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.

THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia.

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.

Based on the dark and disturbing folktales of the Brothers Grimm, James Stover’s original world-premiere adaptation for the Renegade Company, GRIMMS’ JUNIPER TREE, examines the role that didactic children’s literature…

Luna Theater Company’s interpretation of Anthony Burgess’s 1962 novel is a unique marriage of the British author’s futuristic stylizations with disturbing a cappella songs with the historic conventions of masking and stock movement inspired by Italian commedia dell’arte. It’s a perfect match to tell the cutting-edge morality tale of teen ultra-violence and reform.