Shakespeare

Victoria Rose Bonito and Akeem Davis in ROMEO AND JULIET

ROMEO AND JULIET (Philadelphia Shakespeare Theatre): A Love to Die for

They’ve known each other for what—a couple of hours? Already they’re crazy in love, and they’ll steadfastly love each other against all odds. A love to die for. One of the world’s most celebrated and enduring love stories, ROMEO AND JULIET, is currently on stage at The Philadelphia Shakespeare Theatre.

The Lantern joins a rich tradition: James Bond gives a lesson in cultural sensitivity in "You Only Live Twice".

The fault, dear Brutus, Act II: Interview with Makoto Hirano about “Super Racist” Julius Caesar

You may have seen the Lantern Theater Company’s JULIUS CAESAR, which recast Shakespeare’s political tragedy in Feudal Japan. You may also have seen the open letter that local playwright and performer Makoto Hirano hand-delivered to The Lantern on “How to Stage Your Show Without Being Super Racist,” which he signed “Makoto Hirano, Dance-theatre artist, actual Japanese person, and actual Samurai descendent,” reposted on Phindie with Hirano’s consent.

Joe Guzmán and Forrest McClendon in THE TRAGEDY OF JULIUS CAESAR at the Lantern, with set design by Meghan Jones (Photo credit: Mark Garvin)

On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR

Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.

Photo by Johanna Austin

TWELFTH NIGHT (Pig Iron): Upends Expectations, Rights Shakespeare’s Play

David Patrick Stearns writes yet another petulant review, this time of Pig Iron’s TWELFTH NIGHT. If he whines enough that he isn’t entertained at theater and doesn’t get it, will…