Sean Bradley

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LOST GIRLS (Theatre Exile): We are all capable of redemption

Yes, that was me sobbing on opening night of LOST GIRLS.

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Theater in Sketch: MOTHER COURAGE

Some sketches of some Brecht.

Janis Dardaris (as Mother Courage), Forrest McClendon (as The Cook). Photo by Shawn May.

MOTHER COURAGE AND HER CHILDREN (Quintessence): Epic theater!

Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.

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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

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HANSEL AND GRETEL (Quintessence): Cool contemporary spin on Grimm

You don’t have to be ten years old to thoroughly enjoy this production, you just have to retrace the breadcrumbs and remember how to pretend again.

Photo by Mark Garvin.

METAMORPHOSES (Arden): A swim with the gods

This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.

Sean Bradley, Krista Apple-Hodge, Brandon Pierce, and Clare O’Malley in METAMORPHOSES. Photo by Mark Garvin.

Diving into METAMORPHOSES: A watery stage takes shape at the Arden

A look at the building of the impressive set for the Arden production of METAMORPHOSES.

"Glass Routes", the truck, with piles of Cairn on top.

Fringe in Sketch 2: GLASS MOVEMENT (Glass Routes)

As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.

Ian Merrill Peakes as Macbeth with Ben Dibble as Banquo. Photo by Mark Garvin.

MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]

The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.

Ensemble in Arden Theatre Company's production of MACBETH. Photo by Mark Garvin.

MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]

Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.

Judith Lightfoot Clarke as Lady Macbeth with Ian Merrill Peakes as Macbeth. Photo by Mark Garvin.

MACBETH (Arden): Fast but not furious [critical mass review #2]

Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.

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MACBETH (Arden): Bloody bold and resolute [critical mass review #1]

Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.

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ALICE’s ADVENTURES IN WONDERLAND (Quintessence): Mystifying appearances and disappearances, levitations and mysterious goings-on at Mount Airy’s Sedgwick Theater

For the latest installment in their tradition of performing literary family classics for the holidays, Quintessence Theatre Group brings ALICE’S ADVENTURES IN WONDERLAND and its parade of beloved batty characters to Sedgwick Theater.

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THE GLASS MENAGERIE (Act II): 60-second review

Tennessee Williams’ classic story comes to life on the stage of Act II Playhouse.

(Photo credit: Courtesy of KILL SHAKESPEARE)

KILL SHAKESPEARE: LIVE GRAPHIC NOVEL (Revolution Shakespeare and Hear Again Radio Project): Fringe Review 42

Revolution Shakespeare (dedicated to new approaches to the playwright) and Hear Again Radio Project (specializing in the recreation of vintage radio programs) have teamed up for an entertaining presentation of the popular graphic novel series KILL SHAKESPEARE.

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The City of Brotherly Bard: Revolution Shakespeare returns with a show and a webseries

Love sought is good, but given unsought, is better Philadelphia’s newest Shakespeare company, Revolution Shakespeare, will present the second offering of its inaugural season on Tuesday, February 11th at the…

Josh Carpenter (as Marlow), Sonja Field (as Kate Hardcastle) in SHE STOOPS TO CONQUER. Photo by Alexander Burns.

SHE STOOPS TO CONQUER (Quintessence): A contemporary 18th-century comedy

SHE STOOPS is an 18th-century comedy of manners and mistaken identities by Oliver Goldsmith. It is considered by many to be the most enduring of 18th-century plays (name another you’ve…

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HAMLET (Quintessence): Brevity is the soul of it

Hip, fast-paced, with a frat-boy-cool lead: these aren’t usually phrases to describe HAMLET. But Quintessence Theatre Group’s heavily edited version takes a bare bodkin to Shakespeare’s story of revenge and existential crisis in the state of Denmark.

Griffin Stanton-Ameisen and Sean Bradley star in Matchbox Theatre Project’s THE PLAYDATERS (Photo credit: Lens Spark Photography) Fringe review

[53] THE PLAYDATERS (Matchbox Theatre Project): Fringe review

More bromance than rom-com, with an outrageously funny and scathing commentary on the lingering immaturity and adolescent fixations of America’s Gen Y, Neil Haven’s THE PLAYDATERS exposes the interpersonal ineptitude…

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A Valentines Playdate in Philadelphia

“First dates are stressful,” says the postcard for Matchbox Theatre Projects Valentines Day special,The Playdaters. As we all know, the 100th date can be just as fraught. Whether it’s your…