Sarah Stryker

ORLANDO (Villanova): Blurred lines

As Orlando journeys through genders and centuries, the pain and beauty of being a human in a body is explored with a vibrant commitment to the process of theater-making. 

KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

MACBETH (Philly Shakes): Blood should have blood

This is a solidly accessible MACBETH, with comprehensible delivery and an easy-to-follow story—the kind of Shakespeare you go see with your high school class.

THE TAMING OF THE SHREW (Philadelphia Shakespeare Theatre): A woman moved

In her amusing staging of Shakespeare, director Carmen Khan focuses on the compromise, interplay, and transformative power of love which make up a mature relationship.