Sarah Schol

Sarah Schol (l.) and Emily Schuman. Photo by John Doges.

THE SECRETARIES (Quince): An erotic-hilarious farce—not suited for an embarrassed young man?

Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don’t take life to seriously.

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CORIOLANUS (SHAKESPEARE ROULETTE) (Reject): Not your average tragedy

This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.

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Reject Shakespeare: New theater company presents an impromptu CORIOLANUS with a drinking game

Reject Theatre Project launches this week with an inventive take on Shakespeare’s CORIOLANUS courtesy of Lesley Berkowitz.

Photo by Luis Fernando Rodriguez

MISSED CONNECTIONS & OTHER CURIOSITIES (Simpatico): A Craigslist cabaret

There’s a wonderful movement these days in the Philadelphia theater world to give voice to our younger generation. Dwindling arts funding, as well as the Fringe’s ineffectiveness as a vehicle…

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GINT (EgoPo): Ibsen as American folklorist

Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.

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Philadelphia’s BRAT Productions makes the theater of the absurd even more absurd

Eugene Ionesco’s absurdest masterpiece The Bald Soprano (“La Cantatrice chauve”) ends as it begins: with an Englishwoman talking about french fried potatoes. Her husband isn’t listening, but this failure of communication is small…